Walking briskly around the Temple Civic Theatre’s thrust stage, new hire John Monteverde plops down in a front row seat with a smile. He’s just conducted a three-hour open audition for “Count Dracula” and if he’s tired, it’s not evident.
“This stage is great,” he said. “With the thrust you get that intimacy, rather than the distance of a proscenium. I can’t wait to use all the potential that this (theater) space allows.”
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