LOS ANGELES — Hollywood director David O. Russell took a meeting last week to talk about a movie. But the man in the room with him wasn’t a studio executive or an actor hoping for a role — he was Vice President Joe Biden.
Russell met Biden and spoke on the Senate floor in support of legislation on mental health care. His movie “Silver Linings Playbook” focuses on a man with bipolar disorder and is in contention for eight Oscars, including best picture, come Feb. 24.
“Right now I have a little bit of leverage to have a dialogue,” Russell, whose 19-year-old son has long suffered from emotional difficulties, said by phone from Washington.
The Academy Awards may give Russell an elevated platform to fight for an issue he cares about. But his Capitol Hill visit just before Oscar balloting began last Friday also helps give his dramatic comedy a sense of gravitas on par with politically heavyweight rival nominees “Lincoln,” “Argo” and “Zero Dark Thirty.” Those films all have attracted a strong measure of Washington interest, from senators to former presidents Jimmy Carter and Bill Clinton.
This year’s crop of serious and politically minded Oscar movies — coupled with the willingness of politicians and film personalities to go to bat for one another with unusual frequency — has created an awards season in which Washington and Hollywood are more entangled than at any time in recent memory.
Although past races have seen small D.C.-centric discussions over an individual nominee — 2009’s “The Hurt Locker” and 2008’s ‘“Frost/Nixon” each stirred some conversation — rarely has there been such deep involvement by Beltway heavyweights.
Oscar voters often shy from political fare — the last movie with overt political themes to win best picture came in 1987, when Oliver Stone’s Vietnam film “Platoon” walked away with top honors. “Argo,” a rescue drama set during the Iran hostage crisis that has swept top Hollywood guild awards in recent weeks, could break that dry spell.
Though that film is considered the front-runner, this year’s race has seen an uncharacteristically large number of ups and downs, prompting campaigners to look outside Hollywood for an edge.
As Russell was in Washington meeting with Biden, Warner Bros. was releasing a new DVD aimed at Oscar voters on behalf of “Argo” that featured Jimmy Carter extolling director Ben Affleck’s handling of the subject. “Though it seems like fiction, every word of this story is true,” the former president said.
That followed Bill Clinton’s appearance last month at the Golden Globes, where he touted “Lincoln.” (DreamWorks founder and “Lincoln” director Steven Spielberg, a major Clinton donor, recruited him.) “President Lincoln’s struggle to abolish slavery reminds us that enduring progress is forged in a caldron of both principle and compromise,” Clinton said on the show. “This brilliant film shows us how he did it and gives us hope that we can do it again.”
Meanwhile, the Osama bin Laden manhunt film “Zero Dark Thirty” has been both a punching bag and a legacy-builder for leaders in Washington over the last six weeks. After senators including Dianne Feinstein, D-Calif., and John McCain, R-Ariz., slammed the movie as “grossly inaccurate” for the way it depicted torture, former CIA head Leon Panetta, played in the movie by James Gandolfini, came out in support of it.
Amid the din of dozens of critics awards and guild prizes, an endorsement from Democratic statesmen may carry a different kind of weight with the approximately 5,800 voting members of the Academy of Motion Picture Arts and Sciences. And with about 1,000 members living outside of California, endorsements from beyond the Hollywood community could prompt voters not plugged in to the back-and-forth of awards season to pay closer attention.