NEW YORK — Annabelle Selldorf is in her cheerful prime. Old projects continue to exert charm: that impeccable renovation of New York’s Neue Galerie, for example, or the jaw-dropping Chelsea condo cum car elevator of 200 Eleventh Avenue.
New projects stun in their variety: the transformation of Venice’s Arsenale for the Biennale, a majestic Manhattan gallery for David Zwirner featuring surely the most seductively textured concrete walls, and a recycling station soon to open in Brooklyn.
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